3 4 5 S.R. Johannes

Monday, November 19, 2012

Win Kindle Fire HD (or ereader valued at 200$)!



Jingle all the YA - sampler of 14 bestselling authors!

Download ebook for free (at KindleKobo, or Apple) and enter to WIN A KINDLE FIRE HD (or ereader of your choice up to value of 200$)

It's easy to enter!

1) Download the free ebook here

2) Find the secret phrase embedded in the 14 excerpts 
(HINT: there is one character in each book bolded making 13 letters and one punctuation mark)

3) Enter secret phrase (14 characters) into Rafflecopter link below

Contest ends on Dec 31st. Winner announced on Jan 7th. Only open to US.

Book description

Curl up this holiday season and sample 14 bestselling young adult books. 

14 YA authors compiled this special gift for their readers. The holiday sampler includes excerpts from YA's bestselling books - all wrapped up in one neat little package. 

Whether you like paranormal, romance, mythology, or thrillers, "Jingle all the YA" gives you a taste of it all.

This sampler includes the following 14 bestselling YA authors:

Chelsea M. Cameron - Nocturnal (When seventeen-year-old Ava-Claire Sullivan meets a mysterious boy in a cemetery who isn't human, she'll have to decide whether a relationship with him is worth the risk to her own mortality.)

GP Ching - Grounded (A modest seventeen-year-old girl discovers she's the product of a government experiment, when her father's illness causes her to leave her isolated community.)

Shelly Crane - Significance (Because you are my significant, my soul mate, and I'm yours.)

Chelsea Fine - Anew (Sometimes love is meant to be, but sometimes...love is the death of you.)

Jessie Harrell - Destined (When Psyche destroys the one relationship she can't live without, she must journey alone through ancient Greece and face the wrath of the gods if she wants to reclaim an immortal love.

Ella James - Here

S.R. Johannes - Untraceable (When Grace's forest ranger father goes, missing, she fights officials and nature to find out what happened, uncovering a conspiracy that changes her small town forever.)

Tiffany King - Forever Changed

M. Leighton - Fragile (Her heart, as delicate as glass. His love, as strong as steel. Can either survive life and death?

Addison Moore - Ethereal (An entire faction of earthbound angels wants 16 y/o Skyla Messenger dead, at least she still has Logan, a boy who shares her gift of telepathy, or does she?)

Jessica Sorenson - Ember (What if you knew when someone was going to die?)

Raine Thomas - Becoming (When Amber Hopkins discovers that ancient gods, avenging angels and other beings of myth and legend all exist, she doesn't realize that her life is only going to get more complicated from there.)

Rashelle Workman - Exiled (Worlds divided them. Chance brought them together. Only love will save them.)

Samantha Young - Smokeless Fire (One girl's fiery battle with ancient deadly creatures, epic family drama and heart-wrenching romantic entanglements.)

a Rafflecopter giveaway

Tuesday, November 13, 2012

Ways to have confidence in your work


A year ago when I left my agent, I scouted for another one. Desperate. Panicked.

I decided to find a new agent. But I had a manuscript that had already been sent out to a few editors, one that was sent out to 20 (and almost got bought a few times) and a partial of a new shiny manuscript.

At the time, I could not get a new agent. Whether it was due to the fact I had left mine. Or that I had 2 complete manuscripts that had already been seen in NYC (no matter how small the rounds were) or because I only had a partial to sell. It didn't matter, after attempting a couple times, I gave up and decided to experiment with indie pubbing. It was a way to move forward.

Now a year later - I am coming upon my one year as an indie author. Untraceable has sold a lot of copies. Uncontrollable (only out for 6 weeks now) has sold any unbelievable # of copies - way more than Untraceable in the same amount of time.

So editors and agents arent' always right. For so long, I thought those books sucked yet they have been successful selling more than I expected and more than some traditional authors do.

But even though my books have been doing great, I have been doubting my new project. Is it good enough? Am I good enough?

So I decided to take another shot at getting some feedback. Last weekend, after going to the Atlanta Writers Club conference, I submitted my new shiny project to 2 agents for a PITCH and MANUSCRIPT critique. I wanted to get feedback on saleability, writing, and voice. I was doubtful going in but pleasantly surprised. Both agents loved the story and encouraged me to get it to them. In addition, they were very positive about my indie experience. Something that is sometimes hard to come by and you never know what you will get. Whether we like it or not, self pubbing still has a stigma though it is changing slowly.

But what was really amazing about that conference was that I won "Best Pitch" and "Best Manuscript Submission" from both agents as well. (what??!!!!! :) I was shocked and so grateful for the universal sign telling me to keep working on this special project. The one I love. The one I had doubts about. The one I want an agent for.

It got me thinking. Why do we need confirmation on our writing? It's kinda sad that it takes this kind of win to get me believing in my work again. Just when I doubted this project, it got a couple pats on the back. Those few words and certificates are now pushing me forward into finishing it.

So, why do we as authors have a hard time distinguishing what is good and what is not good? How do we keep our confidence up in the face of rejections and criticism?

Here are a few tips to keep the faith when you are feeling down about your writing or project:

  1. Reignite your passion. Find out why you started writing in the first place and get that feeling back
  2. Stick together. Stay connected with writer friends. Sometimes it feels like we are alone - but we are all on this path and experience similar things.
  3. Keep writing. Don't stop if you start doubting yourself. Break away from the project or write in a different environment.
  4. Get outside advice. Use readers or editors to provide feedback when you aren't sure what you have.
  5. Watch the negative talk. I believe we get what we give. Sometimes we beat ourselves up inside and don't even realize it. Those words that make us doubt ourselves. I suck. This is crap. I'll never get published. You know what I'm talking about. Change your mindset.
  6. Stop comparing. Comparing your writing or journey to others just sets you in a tailspin. Focus on your own path and stay offline if you have to while you are writing.
  7. Celebrate your wins no matter how small. Whether it be winning a contest, getting a good rejection letter, or finishing your first draft. Pat yourself on the back along the way. Take it one step at a time.
  8. Set writing goals. This keeps you focused. Achieving even the smallest of goals can keep your chin up and keep you moving even if you don't feel you are or don't want to. 
  9. Focus on craft. Take some classes. Learn new techniques. We gain confidence with skill.
  10. Trust your gut. Believe in your ability and believe in your writing. Go with your gut and you can never go wrong.



Thursday, November 01, 2012

Use more to create suspense than just action

Our Georgia Peach Tour is in full swing!

Jennifer Jabaley (Lipstick Apology). Vicky Shecter (Cleopatra's Moon) and me teamed up and gave discounts to schools in the state of Georgia to help with budget cuts. We are touring middle schools and high schools promoting reading and writing.

We will visit about 12 schools by Thanksgiving and see almost 10,000 kids. The bonus is meeting all the literacy coordinators and media specialists. :)

One of my lectures is on "Writing Thrillers" so I thought I would summarize it and share it today since I'm doing it tomorrow. Feel free to add in the comments any of your ideas.

Thriller vs mystery

A mystery is about solving a crime that has already happened. The killer's identity is hidden until the end because otherwise, there would be no mystery -- right?

A thriller is about a crime (or another type of disaster) that is about to happen ... unless the hero can stop it. The reader might know who the villain is from the very beginning -- even watches over the villain's shoulder as evil is being committed.

Untraceable is a blend of both. The mystery adds to the pacing because you are not sure when Grace is in danger.

Pull from the what you know
  • Know the thriller genre inside and out
  • Do research and know what is possible for your character
  • Immerse yourself in movies/TV shows/books on thrillers
  • Pull from those moments when you were the most scared 
It's not just about action
  • Thrillers are about creating tension in different Dialogue and sentence structure can change the pace.
  • Bring pace in through setting, character, and structure
  • EX: The Walking Dead – zombies are scary but sometimes it is scarier when nothign is happening because you know what could happen any minute. 
1) Come up with big idea for a thriller
  • Come up with the big hook
  • Is it new? How can you make it new?
  • Create "what if" question
  • Answer the "what if" question
  • Go where no man has gone before
2) Pace through structure
  • Cut strategically. Use an inverted conflict curve - cut your chapters in the middle of conflict instead of at the end of resolution
  • Create short chapters
  • Spread out your actions scenes and break them with slower paced scenes to create a roller coaster feeling
  • Create cliffhangers or a ticking clock to get reader past natural breaks
  • Use short, clippy sentences (even fragments) to speed up pace; longer sentences and narrative to slow it down
  • Add dialogue to slow down pace
3) Pace through action

  • Keep the reader moving is main goal
  • Make the danger feel real and always present in the background
  • Withhold information to keep reader guessing
  • Don’t be predictable – go where reader doesn’t expect
  • Start with a suspenseful scene to set mood

4) Pace through setting

  • Create a visual by using 5 senses
  • Cinematic – visualize a movie when you are writing. Show what your character sees
  • Choose settings wisely depending on mood you need.
  • Use contrasting moods in your setting - ie home is safe and secure unless the power goes out. The woods are peaceful during the day but scary at night.

5) Pace through character

  • Make it tough for your MC
  • Emotions – keep them high and let reader feel fear
  • Create poignant moments – don’t be afraid to do this in a thriller
  • Stakes – keep raising them
  • Internal tension can add to suspense of story
  • Create real motives (for all characters) or it won't be believable







Thursday, October 18, 2012

Walking the fence in publishing

I can't help but at times feel that I still want it all.

Both a traditional path and self pubbing path.

Maybe it's my awkward need or my want to belong. Or maybe I don't like to be pigeonholed. Not force myself into one box or standard. Maybe I'm greedy. Maybe I have a dual personality.

I don't know what it is, but I find myself looking at my future with both sides of the fence in mind.

This side of the fence is hard!


Why do I still pine for the "old flame"sometimes ? Because indie publishing is soooo HARD!!!!! It's so fun and I love the control, but I'm exhausted.

I've had a great start. In 9 months, I've sold almost 15,000 books (5,000 just since September) but I admit I still feel a need to be a part of the traditional industry in some way.

As I've mentioned in the past - I wear soooooo many hats and with each book that comes out - those hats multiply exponentially. I have tried to put things in place to help to lighten my load but I'd admit - I over commit and there is always so much to do. Especially in marketing, which I have a hard time not doing. It's in my blood.

For example - today I want to do write but I have to gather and track my quarterly reports just to keep on top of my sales. And this is for every channel (which there are more than 5 for me right now)


My intern, Kate, has helped keep me stay organized. Love her!  But that is only a few hours a week. I miss those days of my agent cheering me on, giving me advice, complimenting my writing, and standing behind me. I miss having that one person on my side. At times, when I get tired, I find myself wishing I had someone invested in me again, someone that believed in me and my writing. Someone besides me and my mother :)

To keep self pubbing, I have to stay on it every day.

And some days I just want to write. Or breathe. Or watch TV or just be lazy.

But there are always many, many on my To Do list. And they all seem urgent with some kind of timeline. Besides PTA, family, personal, and girl scout stuff, there is all the other stuff that comes with self pubbing - the stuff beyond writing and promotion. And you have to do them all -  across several different projects. Keeping it all straight is almost impossible.

No matter what the opinion is, indie pubbing gets lonely and difficult. And it's HARD doing it all on your own. It's like owning your own business and it's growing but you can't hire any employees because it is not a guarantee.

I'm not saying traditional is not hard. But in self pubbing - you are a one man show. Always. For everything.


Walking the fence


Even as I pave my own way or find some level of success in this crazy publishing biz, at times, I still feel like the "odd man out" - on both sides.

In general, the traditional side of me questions some parts of self pubbing - how it is flooding the book world with a lot of "not so great" stuff. So, part of me wants a traditional publishing opportunity (that many self published authors don't agree with at all) so I can be the best I can be. I'm a good writer but I still make mistakes and I want to learn more.

But, then there is my self pubbing side which questions the validity of the traditional vetting process and the growth opportunities for authors (which of course many traditional authors don't agree with at all ).


So because of this outlook, I don't feel like I really belong to either side of the fence, therefore, always feel slightly awkward. Whether I am at a school visit or selling books at a conference. It's like high school all over again. I was a cheerleader but didn't really fit in b/c it wasn't quite me and you could tell. Yet because I was a cheerleader, other kids avoided me just because of the stereotype of a cheerleader. I should have just stuck with soccer or music.

It's hard to want both in this industry. It's like a war or something - everyone saying I "have" to choose. So what ends up happening is I sometimes get the feeling of walking down the middle and both sides firing because they don't know whose side you are on. Yet I don't want to put down either side and I want to be a part of both sides.

What about strategic decisions?

I believe there is a specific place for everything.


Why can't my decision to self pub just be a simple strategic decision in my career as an author? Why does it have to be one or the other based on opportunity or skill?

Self pubbing doesn't have to be a "way out" - you do skip the agent/editorial vetting process (no matter if you even want it) but it's hard to stand out. Hard to do it all on your own. The readers are the vetters. And trust me, indie authors can't get away with anything. Whether it is a couple of typos that slipped through your copyeditors fingers or the stigma, it always hangs over you.

Yet, trust me, for most self pubbing is definitely  not a "way in" either - generally it isn't a way in to traditional anyway so don't go into it for that. Agents and editors generally aren't seeking self pubbed books to redo. That is a very small percentage. And no matter what you hear, it's not 15,000 copies that gets you there, it is mostly luck or 100,000 sales with some press.

Self pubbing is about what works best. it's not always fair just like traditional pubbing.  In indie publishing - certain books sell better than others. YA suspense, contemporary, paranormal, and romance. New adult and adult romance as well as adult thrillers. Like it or not, you can have the best historical fiction but chances are it won't do great in indie pubbing.

What is my future? (rhetorical question ;)

Well, I am not someone who can just write to sell. To stay with the same series even though it makes money. That is probably good business sense for self pubbers and works well for many but I have other ideas I want to put out.

From a marketing perspective - some of my books just don't make sense to self pub and some do. Not all of my work would fit on both sides anyway. So why not choose some for one side and some for the other side?

So today, I am making my declaration public to the universe - I want both! Is that so bad? There are pros and cons to both sides and I want to experience both because sometimes you can only go so far unless you learn failure and success in new ways.

Yet I wonder if there is a place in the middle for hybrid authors to take the best of both worlds.

That one special project

Now I have one special project that could go either way in this industry. It's now choosing the way that is the hardest thing.

I have a new project - a timely YA cyber thriller that I think has great potential - but which way do I go? Do I self pub it and continue down that path knowing how hard it is? Knowing that sometimes there is only so far you can get on your own? Possibly limiting my readership potential due to limited distribution.

Or do I query agents/editors and start all over again? Knowing the book is timely and probably shouldn't wait 2 years. Yet knowing it has huge commercial potential.

And then if I go traditional with this story... do I query under an alias and hide all my sale information to get away from the stigma? Because like it or not - there is a stigma - whether you have great sales or not. Or should I proudly use my name and sales, knowing it could impact my book's chances. Maybe I should just hope to find someone who can look past the stigma of self publishing and focus on my skill and the book's merit. See my self pubbing as a win/a strength more than a weakness.

I've decided I want to be a hybrid author. Someone who is on the fence doing both - but committed to putting out good out books in the best way. Whether that is possible or not is the question.

This is not a popular view. I tend to choose those somehow. Many self pubbed authors want you to commit to self publishing, while many traditional authors say you are a sell out if you choose self pubbing. In addition, many agents and editors say you can't have it both ways.

I say why not? I truly see benefits in walking the fence.

How is now my question.