SCBWI Midsouth Conference (Part 2 of 2)

Cheryl Klein - Character Development (BTW she posts all of her talks on her web site.

"Your characters should literally change the world, especially the one you created."

Know the point of your book and who is your reader.

Once you know that - everything should support and not detract from that purpose and readership

Ask yourself "What am I trying to do here?"

ESSENSE OF CHARACTERS

1. Figure out the facts of your character - age, gender, social status, marital status, where do they live.
2. Know their Internal qualities - personality traits, ethics, values, morals, self awareness. Look for qualities that can be contradictory to cause conflict.
3. Create external qualities - appearance, descriptions, how they see the world or other people. If you use first person - know what she sees in others. manner of speaking (mannerisms), set your character apart with a few characteristics (nose tapping, rub hair across lips when they think). Watch people around you.
4. History or backstory - you need to know it even if you don't tell or show it. Only use the things that are relevant to the story. (is if it is a book about competitive nature, tell us her volleyball scores etc). You need to know backstory between characters too. If she has a best friend - how long, why, how are they together.

Every story should have a "tater tot" moment - where something happens to begin the sympathy.

ACTION

1. Desire - what a character wants. create double desire - a conflict between two wants where they have to choose one over the other. which one is more important and what is the consequence of going against the other one.
2. Attitude/Energy - how do they relate to others, life, a situation, death, fights etc. are they an optimist or pessimist? Try journaling as the character to find voice. Must balance + and - energy -For example: the pessimist girl who is funny. The optimist who is annoying. Create a story conversation - a) what is said, b) what is unsaid, c) what can't be said.
3. Action - Desire plus attitude. if a character has a desire there must be follow through that is relevant to book. plunk character down in different situations in your mind to decide what they would DO in that situation. Lack of action from a protagonist is one of the top 10 reason why she rejects manuscripts. either its impossible to accomplish or she wont do anything. There must be a reason for inaction.

You must increase the "action quotient" - the reader must see things happen. 1) character can act out against something 2) add in desire where she can take action. (lisa yee does a good job)

3 questions to answer:
1) what keeps him alive?
2) what is his pain?
3) what is his name?

Every character is a hero in their own story.

Secondary characters must not be over played. They must be relevant to the story and plot. If there is not a need - don't use them.

most important elements are - honesty (must be honest with what happens) and time (must be the proper pacing)

let characters words and actions speak for themselves. Try not to stop them. Wind your characters up and let them go. You are not your characters' mother. You are their observer. Allow them to make mistakes and suffer the appropriate consequence.

Cheryl loves characters that make mistakes and show pain.

Activity - character outlines

• boy or girl
• Male of female
• age
• what is the family like?
• where do they live?
• what is their name?
• what are the internal qualities? external?
• what keeps him alive?
• How are they emotionally interesting?
• what is their pain?
• what do they want?
• what is their attitude?

6 strategies

1. make characters new
2. give character a cause
3. take action and show energy
4. put them in anticipated pain
5. surround with unlikeable characters
6. be able to feel with and kill your character at any moment. don't get too attached so that you hold them back.

Caroline Cooney - write at full speed

writing activity - write without thinking.

• use pen and paper - not computer. because you always have 10 minutes somewhere
• fill out the character outline above....
• write a line about setting
• write a sentence about character
• bring in another character
• bring in conflict
• change their location
• what do they see?
• write first sentence to 2nd chapter.

writing tips

• Everyone can write a page a day
• next day - reread what you wrote
• write while you are in car waiting
• answer who, what , where , when and why at everything to dig deeper into story
• every sentence should give you another one

It was fabulous!

SCBWI Midsouth Conference (Part 1 of 2)

This weekend, I am at the Midsouth conference. It is amazing as most conferences are. Here are some of the things I took away from today:

Caroline Cooney - tips on writing character and great stories

• character has to be sympathetic
• characters without friends - know that emotion takes over the plot line
• adults have the habit of taking over action
• must make the logical thing illogical to do
• if you have a conflict - you must know what emotion it is attached to
• every conflict you create takes away from something - be sure it does not take away from main plot line
• If you are stalled - visualize a scene as if on stage as a film director - what do you see, where are you, who is with you
• stay alert to ideas around you and how you can transform the into books
• names matter - cannot have similar names
• action story - needs to have a deadline in the story
• speed counts - learn to write fast
• first draft are always bad
• 3rd person is always better than 3rd person and present tense
• you can do anything for 15 minutes - force yourself to to write, set a time, take paper and pen with you so you utilize every minute. don't wait to get in front of your computer
• books are like pottery - some come out misshaped, some cracked, luckily with books, you can always reshape them

Chris Richman (Upstart Crow Agency) - the agent relationship

A great agent:

• shares your writing
• are the gateway to editors - trust yours will do the right thing
• control the money - editors pay agents who take their royalty and then pay you
• should beleve in your work wholeheartedly
• looks for more than just a sale, looks at your career, writing style
• keeps in contact and keeps you up to date
• know trends
• knows what editors are looking for
• buffer between writer and editor - good news comes from author, bad news comes from agent
• tries to sell your work
• should not charge a reading fee
  

Some agents don't like to tell writers where they are subbing until the book is out. they know the editors and have built relationships. If you take on an agent, you need to trust they are on same page as you and are doing the right thing

ask your agent...

• what is your percentage?
• do you revise? if so how much? what about for this book?
• how many clients do you have?
• Can you speak to any of their clients?
• what genres do you rep?
• who will you sub to?
• where do you see my career?

The original excitement can wane. If things go bad, talk it out first. give your agent a chance to improve before you dump them.

Q&A

• you do not want more than one agent unless you need one for a different genre outside children's.
• when i revise, i need to get the book to a point where I think it will sell. that does not necessarily mean perfect
• some agents are becoming more promotional b/c money for marketing is dwindling

Tomorrow I will post some key takeways from the amazing Cheryl Klien and Caroline Cooney's writing activity.